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He recalled sneaking back into a "significant mansion" after work to make ephemeral art from the refuse, which he would photograph and then carefully disassemble. He is interested, he said, "in exploring the space between erasure and reconstruction."įor many years, Maher, 36, worked for a local construction company, which made it easier for him to harvest building scraps. Maher, this year's artist in residence at the Albright-Knox Gallery, has been making sculptures out of the byproducts of that demolition, using materials like ductwork, plywood, lath and PVC pipes in huge, dangerous-looking pieces that resemble photographs of explosions caught by a high-speed camera. In response, the city has pursued a policy of demolition, frustrating preservationists, in a program that aimed to raze 5,000 buildings over the last five years (to date, the number may be closer to about 3,000). (Like that of many Rust Belt cities, Buffalo's population peaked at midcentury and has been declining ever since.) With the city's vacancy rate at more than 15 percent - one of the highest in the state - it seems that every block in Maher's West Buffalo neighborhood had at least one empty house. Its ramshackle and orphaned condition was familiar, too. It was a Buffalo double house, built just before the turn of the 20th century, as common a sight here as a maple tree. In 2009, Dennis Maher, a professor of architecture at the University at Buffalo, bought an abandoned property from D'Youville College for $10,000.